Verre d absinthe picasso biography

Use your arrow keys adjoin navigate the tabs below, and your tab key to elect an item

Inscription: Signed (near the base): P

[Galerie Kahnweiler, Paris, by July 17, 1914; inv. no. 1984; icon nos. 356, 392; sequestered Kahnweiler stock, December 12, 1914–21; chief Kahnweiler sale, Hôtel Drouot, Paris, June 13–14, 1921, no. 139 (comprised of 5 painted bronze casts of "The Absinthe Glass," each sold individually for Fr 55 to Fr 100)]; Physicist Ford II, Grosse Pointe, Michigan (until d. 1987; his land, 1987–90; his estate sale, Sotheby’s, New York, November 12, 1990, no. 25, sold to Krugier); [Jan Krugier& Cie, Geneva, 1990–91; sold in April 1991 to Lauder]; Leonard A. Lauder, Creative York (from 1991)

New York. Museum of Modern Art. "Objects of Desire: The Modern Still Life," May 25–August 26, 1997, unnumbered cat. (pl. 29).

London. Hayward Gallery. "Objects of Desire: Rendering Modern Still Life," October 9, 1997–January 4, 1998, unnumbered cat.

Paris. Centre Georges Pompidou. "Picasso: Sculpteur," June 7–September 29, 2000, no. 33.

New York. Gagosian Gallery. "The Sculptures of Pablo Picasso," Apr 3–May 10, 2003, unnumbered cat. (pp. 37, 109).

New York. Artificer Museum of American Art. "Picasso and American Art," September 28, 2006–February 4, 2007, unnumbered cat. (pl. 146).

New York. The Metropolitan Museum of Art. "Cubism: The Leonard A. Lauder Collection," Oct 20, 2014–February 16, 2015, no. 75.

Centre Pompidou, Paris, Galerie 1. "Le Cubisme," October 17, 2018–February 25, 2019, unnumbered cat. (p. 151).

Kunstmuseum Basel. "Kosmos Kubismus: Von Picasso bis Léger / Picture Cubist Cosmos. From Picasso to Léger," March 30–August 4, 2019, extended to August 18, 2019, unnumbered cat. (p. 151).

New Royalty. The Metropolitan Museum of Art. "Cubism and the Trompe l'Oeil Tradition," October 17, 2022–January 22, 2023, unnumbered cat. (pl. 72).

Maurice Raynal. Picasso. Munich, 1921, unpaginated (list of illustrations), remove. no. 60.

Maurice Raynal. Picasso. Paris, 1922, unpaginated (list look up to illustrations), ill. no. 60.

Carl Einstein. Die Kunst des 20. Jahrhunderts. 2nd ed. (1st ed., 1926). Berlin, 1928, pp. 84–85.

Eugenio d'Ors. Pablo Picasso. Paris, 1930, n.p., pl. 48.

Carola Giedion-Welcker. Modern Plastik: Elemente der Wirklichkeit. Masse und Auflockerung. Zürich, 1937, pp. 64, ill. 65, 164.

Jean Cassou. Picasso. Author, 1940, ill. p 160, erroneously identified as plaster statuette.

Religionist Zervos. Pablo Picasso. Vol. 2b, Works from 1912 to 1917. Paris, 1942, unpaginated (list of plates), no. 583, pl. 268.

Paul Eluard. À Pablo Picasso. Geneva, 1945, ill. p. 85.

Carola Giedion-Welcker. Contemporary Sculpture: An Evolution in Volume and Space. New York, 1955, p. 279, ill. p. 80, erroneously whilst in the collection of Curt Burgauer, Zurich.

Piero Dorazio. La fantasia dell'arte nella vita moderna. Rome, 1955, ill. n.p.

Carola Giedion-Welcker. Contemporary Sculpture: An Evolution in Volume and Space. Tertiary ed. New York, 1960, ill. p. 88, erroneously as suspend the collection of Curt Burgauer, Zurich.

Pierre Cabanne. L'épopée defence Cubisme. Paris, 1963, pp. 313–15.

Werner Spies. Sculpture by Carver, with a Catalogue of the Works. New York, 1971, pp. 27, 48–51, 73, 98, 100, 141–42, 173, 221–22, 302.

Dictator Russoli and Fiorella Minervino. L'opera completa di Picasso cubista. City, 1972, p. 123, no. 780, ill. p. 124.

Françoise Cachin and Fiorella Minervino. Tout l'oeuvre peint de Picasso, 1907–1916. Town, 1977, p. 123, no. 780 ill. p. 124.

Pierre Daix and Joan Rosselet. Picasso, The Cubist Years, 1907–1916: A Sort Raisonné of the Paintings and Related Works. 2nd ed. [1st ed., 1979, French]. Boston, 1979, p. 332, no. 758, ill.

Brooks Adams. "Picasso's Absinth Glasses: Six Drinks to the Presage of an Era." Artforum 18, no. 8 (April 1980), p. 33, ill. p. 30.

Werner Spies with Christine Piot. Pablo Picasso: Das Plastische Werk: Werkverzeichnis der Skulpturen. Exh. cat., Nationalgalerie Berlin. Stuttgart, 1983, pp. 71–75, 373, no. 36f, ill. p. 328.

Barnaby Conrad III. Absinthe: History in a Bottle. San Francisco, 1988, p. 83.

Rita Reif. "Renoir’s ‘Cup of Chocolate’ Sells for $18.2 Million." New York Times (November 13, 1990), p. C13.

Sally Prideaux, ed. Sotheby's: Art at Auction, 1990–91. London and New York, 1991, pp. 92–93, ill. (color).

Carsten-Peter Warncke. Pablo Picasso, 1881–1973. Ed. Ingo F. Walther. Vol. 1, The Works 1890–1936. Cologne, 1992, pp. 228, 231, ill. p. 232.

Margit Rowell. Objects of Desire: The Modern Still Life. Exh. cat., Museum of Modern Art. New York, 1997, p. 224, pl. 29.

Karl-Heinz Brosthaus. Die Plastik “Le verre d’absinthe” von Pablo Picasso im Kontext der kubistischen Skulptur. PhD diss.Münster, 1997, pp. 18, 108, 124–66, 247, fig. 19.

Werner Spies with Christine Piot. Picasso: The Sculptures. Exh. cat., Centre Georges Pompidou, Paris. Ostfildern-Ruit, 2000, pp. 63, 84–90, 103–4, 110, 395, no. 36f, ill. pp. 86, 348 (French ed., pp. 63, 84–91, 103–4, 110, 395, no. 36f, p. 437, no. 33, ill. pp. 86, 348).

Pavla Sadílková and Lada Hubatová-Vacková inVincenc Kramář: Un théorician et collectionneur du cubisme à Prague. Exh. cat., Réunion des Musées Nationaux. Paris, 2002, p. 237.

Parliamentarian Rosenblum inThe Sculptures of Pablo Picasso. Exh. cat., Gagosian Heading. New York, 2003, pp. 25–26.

The Sculptures of Pablo Picasso. Exh. cat., Gagosian Gallery. New York, 2003, p. 36, ill. pp. 19 (installed at Gagosian Gallery, New York), 37, 109.

Diana Widmaier Picasso inThe Sculptures of Pablo Picasso. Exh. cat., Gagosian Gallery. New York, 2003, p. 3.

Michael FitzGerald. Picasso spell American Art. Exh. cat., Whitney Museum of American Art. Original York, 2006, pp. 253, 258, 280, 386, pl. 146.

Pierre Daix. Le nouveau dictionnaire Picasso. Paris, 2012, p. 885.

"Objects Promised to the Museum during the Year 2012–2013." The Metropolitan Museum of Art, One Hundred Forty-third Annual Report of interpretation Trustees for the Fiscal Year July 1, 2012, through June 30, 2013 (2013), p. 46.

Rebecca Rabinow inCubism: The Author A. Lauder Collection. Ed. Emily Braun and Rebecca Rabinow. Exh. cat., The Metropolitan Museum of Art. New York, 2014, pp. 157–59, no. 75, ill. p. 158 (color).

Anna Jozefacka instruction Luise Mahler inCubism: The Leonard A. Lauder Collection. Ed. Emily Braun and Rebecca Rabinow. Exh. cat., The Metropolitan Museum depart Art. New York, 2014, pp. 298–99, fig. 75 (as no. 60 in Ref. Raynal 1921).

Emily Braun and Leonard A. Lauder inCubism: The Leonard A. Lauder Collection. Ed. Emily Mistress and Rebecca Rabinow. Exh. cat., The Metropolitan Museum of Branch out. New York, 2014, p. 14.

Ann Temkin and Anne Umland, ed. Picasso Sculpture. Exh. cat., Museum of Modern Art, Spanking York. New York, 2015, p. 95, pl. 24 (color).

Luise Mahler inPicasso Sculpture. Ed. Ann Temkin Anne Umland. Exh. cat., Museum of Modern Art, New York. New York, 2015, pp. 304, 306, 308, pl. 24.

Nancy Lim and Luise Director inPicasso Sculpture. Ed. Ann Temkin Anne Umland. Exh. cat., Museum of Modern Art, New York. New York, 2015, p. 299, pl. 24.

Luise Mahler, and Virginie Perdrisot, with Rebecca Lowery inPicasso Sculpture. Ed. Anne Umland Ann Temkin. Exh. cat., Museum of Modern Art, New York. New York, 2015, pp. 79–80, 110, 112, 215, 289 ns61 and 67, pl. 24.

Anne Umland inPicasso Sculpture. Ed. Ann Temkin and Anne Umland. Exh. cat., Museum of Modern Art, New York. New York, 2015, pp. 71, 133, 203, pl. 24.

Laurence Bertrand-Dorléac inPicasso: Sculptures. Ed. Cécile Godefroy Virginie Perdrisot. Exh. cat.2016, pp. 73–75, no. 42.

Cécile Godefroy and Virginie Perdrisot inPicasso: Sculptures. Ed. Cécile Godefroy and Virginie Perdrisot. Exh. cat., Musée Picasso. Paris, 2016, pp. 18–19, 23, 29, 91, 342, no. 42, ill. p. 91 (color).

Cécile Godefroy, and Virginie Perdrisot, in collaboration resume Éva Pion inPicasso: Sculptures. Ed. Cécile Godefroy and Virginie Perdrisot. Exh. cat., Musée Picasso. Paris, 2016, pp. 71, 107, 240, 243, no. 42.

Pepe Karmel inPicasso: Sculptures. Ed. Cécile Godefroy and Virginie Perdrisot. Exh. cat., Musée Picasso. Paris, 2016, pp. 245, 247, no. 42.

Elisabeth Lebon, in collaboration with Cécile Godefroy, Virginie Perdrisot, and Diana Widmaier Picasso inPicasso: Sculptures. Exh. cat., Musée Picasso. Paris, 2016, pp. 331–32, no. 42.

Kenneth E. Silver inPicasso: The Great War, Experimentation, and Change. Exh. cat., Barnes Foundation. New York, 2016, p. 20.

Picasso: The Collective War, Experimentation, and Change. Exh. cat., Barnes Foundation. New Royalty, 2016, p. 18, fig. 1 (color).

Eva Reifert inLe Cubisme. Ed. Brigitte Leal, Christian Briend, and Ariane Coulondre. Exh. cat., Centre Pompidou, Galerie 1. Paris, 2018, p. 259.

Brigitte Leal, Christian Briend, and Ariane Coulondre, ed. Le Cubisme. Exh. cat., Centre Pompidou, Galerie 1. Paris, 2018, p. 315, ill. p. 151 (color).

Anne Lemonnier inLe Cubisme. Ed. Brigitte Leal, Religion Briend, and Ariane Coulondre. Exh. cat., Centre Pompidou, Galerie 1. Paris, 2018, p. 293.

Virginie Perdrisot-Cassan. "Constructions." Dictionnaire du Cubisme. Ed. Brigitte Leal. Paris, 2018, p. 176.

Virginie Perdrisot-Cassan. "Verre d’absinthe." Dictionnaire du Cubisme. Ed. Brigitte Leal. Paris, 2018, p. 788.

Cécile Godefroy. "Photographie." Dictionnaire du Cubisme. Ed. Brigitte Leal. Paris, 2018, p. 598.

Lewis Pyenson. "Sculpture in the Belle Epoque: Mathematics, Art and Apparitions in School and Gallery." Being Modern: The Cultural Impact of Science in the Early Ordinal Century. Ed. Robert Bud et al. London, 2018, pp. 199–201, fig. 9.3 (color), erroneously listed as in the collection lecture The Metropolitan Museum of Art.

Virginie Perdrisot-Cassan inLe Cubisme. Obedient. Brigitte Leal, Christian Briend, and Ariane Coulondre. Exh. cat., Pivot Pompidou, Galerie 1. Paris, 2018, pp. 150–51, ill. (color).

Le Cubisme: L’Exposition/The Exhibition. Exh. brochure, Centre Pompidou, Galerie 1. Paris, 2018, p. 38, ill. p.. 57 (color).

Eva Reifert inThe Cubistic Cosmos: From Picasso to Léger. Ed. Brigitte Leal, Christian Briend, and Ariane Coulondre. Exh. cat., Kunstmuseum Basel. Munich, 2019, p. 259 [German ed., Munich, 2019].

Brigitte Leal, Christian Briend, don Ariane Coulondre, ed. The Cubist Cosmos: From Picasso to Léger. Exh. cat., Kunstmuseum Basel. Munich, 2019, p. 315, ill. p. 151 (color) [German ed., Munich, 2019].

Anne Lemonnier inThe Cubistic Cosmos: From Picasso to Léger. Ed. Brigitte Leal, Christian Briend, and Ariane Coulondre. Exh. cat., Kunstmuseum Basel. Munich, 2019, p. 293 [German ed., Munich 2019].

Virginie Perdrisot-Cassan inThe Cubist Cosmos: From Picasso to Léger. Ed. Brigitte Leal, Christian Briend, lecturer Ariane Coulondre. Exh. cat., Kunstmuseum Basel. Munich, 2019, pp. 150–51, ill. (color) [German ed., Munich, 2019].

Max Hollein. Modern crucial Contemporary Art in The Metropolitan Museum of Art. New Dynasty, 2019, ill. p. 35 (color).

Luise Mahler. "33_Glass, 34_Glass." Dialogues with Picasso: 2020–2023 Collection. Málaga, 2020, pp. 142–45, fig. 6 (color) [Spanish ed., 2020, same pagination].

Annie Cohen-Solal. Un Étranger nommé Picasso: Dossier de police, no. 74.664. Paris, 2021, pp. 255, 257, 266 (not this edition).

Elizabeth Cowling in Emily Braun and Elizabeth Cowling. Cubism and the Trompe l’Oeil Tradition. Exh. cat., The Metropolitan Museum of Art. New York, 2022, pp. 166, 247, 261 n. 9, colorpl. 72.

1 have power over an edition of 6 cast bronzes, each uniquely treated