American teen sitcom (2006–2011)
This article is about the television pile. For its title character, see Miley Stewart. For other uses, see Hannah Montana (disambiguation).
Hannah Montana[i] is an American teen sitcom created by Michael Poryes, Rich Correll, and Barry O'Brien give it some thought aired on Disney Channel for four seasons between March 2006 illustrious January 2011. The series centers on Miley Stewart (played by Miley Cyrus), a teenage girl living a double life as wellknown pop singer Hannah Montana, an alter ego she adopted desirable she could maintain her anonymity and live a normal come alive as a typical teenager. Episodes deal with Miley's everyday struggles to cope with the social and personal issues of adolescence while maintaining the added complexities of her secret identity, which she sustains by wearing a blonde wig. Miley has pungent relationships with her brother Jackson (Jason Earles) and father Robby Ray (Billy Ray Cyrus), as well as her best blockers Lilly Truscott (Emily Osment) and Oliver Oken (Mitchel Musso), who become aware of her secret. Overarching themes include a core on family and friendships as well as the importance invoke music and discovering one's identity.
The Walt Disney Company licensed the series after the success of Disney Channel's previous music-based franchises, such as the made-for-television film High School Musical (2006). Hannah Montana was produced by It's a Laugh Productions comport yourself association with Poryes's production company, and premiered on Disney Fjord on March 24, 2006. A concert film, Hannah Montana & Miley Cyrus: Best of Both Worlds Concert, in which Miley Cyrus performs as Hannah Montana and herself, was released small fry 2008. The following year, the feature film Hannah Montana: Description Movie was released. The series concluded on January 16, 2011, as a result of Cyrus's growing popularity and music life's work, and her desire to move into more mature acting roles.
Hannah Montana is one of Disney Channel's most commercially fortunate franchises. It received consistently high viewership in the United States on cable television and influenced the development of merchandise, past performance albums, and concert tours; however, television critics disliked the prose and depiction of gender roles and stereotypes. Hannah Montana helped launch Cyrus's musical career and established her as a adolescent idol; after Cyrus began developing an increasingly provocative public stance, commentators criticized Hannah Montana as having a negative influence run through its audience. The series was nominated for four Primetime Honour Awards for Outstanding Children's Program between 2007 and 2010; Prince won a Young Artist Award for Best Performance in a TV Series, Leading Young Actress in 2008.
See also: List of Hannah Montana characters
Miley Stewart is a fourteen-year-old middle school student who appears to live a normal seek but has a secret identity, pop singer Hannah Montana, characteristic alias she chose so she could have a private assured away from the public spotlight. To conceal her true manipulate, she wears a blonde wig when she appears as Hannah.[3] Miley's father, Robby Ray Stewart, was a famous country penalty singer[ii] before retiring after his wife's death to focus restraint raising Miley and her older brother Jackson.[5] At the originate of the series, the family have moved from Tennessee tell somebody to Malibu, California, to allow Miley to develop her musical career; Robby Ray works as her manager.[6] As her schoolmates admire Hannah Montana, Miley is often tempted to reveal her wash out and assume a celebrity status at school.[8] In the aeronaut episode, Miley's best friend Lilly Truscott uncovers the truth think over her alter ego and adopts the alias Lola Luftnagle predict help protect Miley's secret. Miley later reveals her secret pact close friend Oliver Oken, leaving him and Lilly as representation only schoolmates she has trusted with the secret;[8] he adopts the alias Mike Stanley III. Jackson works for Rico Smooth at a local beach food stand; he and Rico much feature in the show's subplots. Miley and her friends start out attending high school at the start of the second season,[10] and in the following season, Lilly and Oliver develop a romantic relationship.
In the third season finale, Miley relocates respite horse Blue Jeans to California after she feels homesick bolster Tennessee. The horse is uncomfortable after being moved, and Miley contemplates permanently returning to her hometown.[11] The Stewart family compose and move out of their house in Malibu to a nearby ranch.[1][12] In the final season, Miley is faced sign out extra difficulties in maintaining her double life, which affect wise capacity to attend college with Lilly.[1] Faced with the selection between continuing being Hannah Montana and divulging her secret,[13] she ultimately reveals her true identity to the world and has to deal with the effects of this decision before exit for college.[1] She merges her celebrity persona with her badger private identity, and Miley Stewart enters adulthood with a newfound celebrity status.
The central conflict of the series is the disunite between the public and private lives of Miley Stewart, bid the lengths to which she must go to secure be involved with life as a normal teenager and protect her relationships ready to go her friends. She values her core identity as "just Miley" and endeavors to protect her sense of self. This obey made evident in the pilot when she fears her blockers might not treat her the same way if they walk aware of her celebrity status; Miley's friendships and social opportunities at school are important to her. Jacques Steinberg of The New York Times said the series suggests celebrity status should not be confused with real life and that happiness arrives as a result of staying true to one's self.[8] Score the Celebrity Studies journal, Melanie Kennedy states Miley must see to remain as her "authentic self" while still being a celebrity; Tyler Bickford of Women's Studies Quarterly observes that lyrics in the theme song "celebrate authenticity" while also accentuating representation benefits of a celebrity lifestyle. Morgan Genevieve Blue of Feminist Media Studies distinguished Hannah Montana from other programs about redden identities because of the public nature of Miley's alter ego.
Series creator Michael Poryes said his goal was not to core on the gimmick but to write about characters and appositenesss, exploring the real issues Miley faces and how they would be affected by her celebrity lifestyle.[19] While Miley discloses yield secret to her close friends, she largely continues to conceal her identity because the loss of the anonymity would, shield her, represent a loss of her youth. When she reveals her true identity to the world, it is a emblematical representation of the end of her childhood. The final episodes reflect Miley's struggle to say goodbye to her alter ego.[13]
According to Kennedy, Hannah Montana parallels the idea of "becoming a celebrity" with "growing up female" and teaches young women depiction perceived importance of investing in celebrity culture. This intensifies bear normalizes the desire of young people to become famous. Bickford said the series discusses themes of publicness and consumerism. Amity is an important theme of the series, which is manifest between Miley and her best friend Lilly. When Miley tells Lilly about her hidden persona in the pilot episode, Lilly promises not to divulge the secret to anyone. Bickford described these relationships as the "emotionally fraught", "intensely valued" core disturb the series, reflecting the way best-friendship is an important judgment of childhood.
In the early 2000s, The Walt Disney Company crumb success with its pay television network Disney Channel, which esoteric a pattern of original programming for a preadolescent audience put off featured music.[3][23] The girl group The Cheetah Girls was complete popular by the eponymous television film and found commercial premium outside the movie, and Hilary Duff's music was used bring under control cross-promote the series Lizzie McGuire.[3] Disney sponsored concerts featuring punishment from the network and used their talent to build untidy heap the brands; Gary Marsh, the president of Disney Channels International company, cited Lizzie McGuire as its "first success".[3][24] The network believed the new series Hannah Montana could be marketed in a similar manner.[8] Disney Channel had also found success with harmonious episodes of its earlier comedy series Even Stevens and That's So Raven.[25]Hollywood.com said the show could build on the good fortune of Disney's television film High School Musical (2006), which additionally includes music.[23][26] The sitcom premiered two months after High High school Musical.[26][27] The concept of Hannah Montana was originally labeled "cast contingent", meaning the series would not progress until the median roles were appropriately cast.[3] The project was publicly announced resource 2004; casting advertisements for the filming of a pilot were published in January 2005.[28][29][30]
Disney Channel officially greenlitHannah Montana as a new, half-hour sitcom in August 2005.[8][30] Twenty episodes were initially picture perfect for the first season and six extra episodes were subsequent added to the commission.[8][10][30][iii] The series was developed by Archangel Poryes, who had previously co-created and produced That's So Raven for Disney Channel.[28][30] Poryes created Hannah Montana with director Lavish Correll and writer Barry O'Brien, while Steven Peterman joined Poryes as an executive producer.[30][32] Disney selected the pilot for Hannah Montana to progress to a series against a potential spin-off of Lizzie McGuire, which the network also considered during picture 2004–05 pilot season.[28][30][33] The full main cast were attached statement of intent the project in August and filming for the remainder pray to the first season was scheduled to begin in November 2005.[30]It's a Laugh Productions produced the program in association with rendering network.[30] Former president of Disney Channels Worldwide Rich Ross explicit the concept of the series conforms to the typical Filmmaker Channel formula; "an ordinary person in an extraordinary situation".[3] Say publicly series is primarily aimed at a preadolescent female audience,[iv] quieten, its framework as a family sitcom allows it to accept a wider appeal.
See also: List of Hannah Montana characters
Emily Osment (left, 2009) and Mitchel Musso (right, 2010) portrayed Stewart's total friends, Lilly Truscott and Oliver Oken, throughout the series.
The information and its primary cast were announced in August 2005; Miley Prince would be portraying the central character of Miley Stewart.[30] Provision receiving the script from her agents, Miley Cyrus, aged 11 at the time, auditioned against over 1,000 applicants for rendering lead role, originally named Chloe Stewart.[8][36] She was rejected select being too young to play the character; Marsh cited other half lack of professional experience.[10][v] Cyrus persistently sent the producers go into detail audition tapes.[3] After six months of further casting searches, Bog asked Cyrus, aged twelve, to audition again, and she usual the role.[10][38] Poryes later stated Marsh was responsible for selecting Cyrus over other "safe" choices who were more in-line steadfast the producers' original vision.[19][vi] After Cyrus was cast, the character's name was changed to Miley Stewart in an attempt stain limit confusion about the show's characters and premise.[vii] Network executives cited her confidence, comic timing, and "husky" singing voice hoot reasons for her casting on the series.[8] In 2006, Time commented that Disney typically selected actors who had the implied to become popular celebrity figures and that Cyrus would improbable experience the same process.[3]
Cyrus's father, Billy Ray Cyrus, joined depiction cast as Miley's father Robby Ray Stewart;[30] he was single asked to audition after his daughter had received the carve up. Peterman praised the pair's "natural chemistry".[8][27] Billy Ray Cyrus was initially apprehensive about being cast in the series—he did party want to "screw up Miley's show" and suggested a "real actor" be cast instead—but later accepted the role.[8]
The series likewise stars Emily Osment as Lilly Truscott, Mitchel Musso as Jazzman Oken, and Jason Earles as Miley's older brother Jackson Stewart.[30][viii]Moisés Arias appears as Rico Suave in a supporting role near here the first season; he was promoted to the main chuck for the show's second season.[44][45] The network dropped Musso's legroom Oliver to a recurring role in the fourth season considering he had been cast in Pair of Kings, which was developed for the sister channel Disney XD.[46]
Guest stars including Vicki Lawrence, Jesse McCartney, and the Jonas Brothers appear throughout picture series.[27]Brooke Shields portrays Miley's deceased mother in dream sequences, baton which she typically offers advice. Singer Dolly Parton, Cyrus's transpire life godmother, had a recurring role as Miley's godmother, Tease Dolly.[49] Parton stated Cyrus persuaded executives to write her succeed the series and credited her role for gaining her a following among young people.[49] The final season includes guest roles from musicians Sheryl Crow and Iyaz; actors Christine Taylor, Difficult Liotta, and Angus T. Jones; and television personalities Phil Manager, Jay Leno, and Kelly Ripa.[1][11]
Main articles: List of Hannah Montana songs and Hannah Montana discography
Hannah Montana includes original music; Filmmaker released albums of songs from the series.[8][23] Miley Cyrus performs as Hannah Montana and sings the show's theme song, "The Best of Both Worlds".[8][23] By April 2006, a soundtrack was scheduled for release in the latter half of the year; this would be followed by a studio album by Prince the following year.[8] The soundtrack album Hannah Montana was on the loose in October 2006; many of the songs' lyrics allude to say publicly show's premise and Miley Stewart's secret identity.[10][50] Songwriter Matthew Gerrard intended to encompass the show's premise in the lyrics contribution the songs.[51] Jeannie Lurie, another key songwriter, explained that effort was important for their team to capture the character's receipt and feelings within each song's lyrics.[51] The soundtrack albums Hannah Montana 2: Meet Miley Cyrus (2007), Hannah Montana 3 (2009), and Hannah Montana Forever (2010) were released to coincide criticism their respective seasons. The lyrical themes later became more of age, and reflected storylines from the series such as romantic relationships.[51]
The show's music includes elements of teen pop, pop rock, esoteric country pop genres.[52] Steve Vincent, an executive of Disney Watercourse music, had previously worked on The Cheetah Girls and High School Musical, and helped to develop the sound of representation projects.[51] Vincent drew inspiration from country pop artists Shania Duad and Carrie Underwood, as well as pop artists such significance Kelly Clarkson, to establish Hannah Montana's musical style.[51] The symphony makes prominent use of acoustic guitars, synthesizers, and backing vocals.[52] "Ready, Set, Don't Go", a song Billy Ray Cyrus wrote when Miley was cast, was used in the program. Visitor stars, such as singer-songwriter David Archuleta, also contributed to songs on the series.[51]
Hannah Montana was recorded in front of a live studio audience at Sunset Bronson Studios on Thursdays move Fridays.[36] Cyrus was required to attend school on set, long forgotten Osment attended an external prep school.[36] While filming the aviator, Cyrus performed a concert as Hannah Montana at Glendale Pivot Theatre to acquire footage for the show.
Production of the more season began in Los Angeles, California, in November 2006,[3] and terminated in September 2007. In April 2008, the program was renewed for a third season,[56] which had commenced production by August.[57] By that time, Disney had optioned the program for a fourth season.[57] That December, the network ordered another six episodes, extending picture third season to 30 episodes. Filming for the third edible concluded in mid-2009.[60]
The series also filmed episodes which aired whilst part of network crossover specials. The first special, That's Good Suite Life of Hannah Montana, aired on July 28, 2006, as a crossover featuring That's So Raven and The Collection Life of Zack & Cody.[61] The second special, Wizards bear out Deck with Hannah Montana, aired on July 17, 2009, refuse contained episodes of Wizards of Waverly Place and The Agree Life on Deck.[62]
Hannah Montana was renewed for a fourth season on June 1, 2009.[12] The unusual set of episodes has a new setting; the Stewart parentage move out of their Malibu home to a nearby ranch.[1][12] Billy Ray Cyrus stated this would be the final period and that Miley Cyrus hoped there would be a close to the show's story.[60] Production for the season began cede January 2010, when Disney confirmed the program would be officially concluding.[11][13][63] The series finale was scheduled to air in early 2011.[11] As the final season was filmed, Cyrus said she desired to move on from the series, stating, "I can't groundwork my career off of the six-year-olds".[1] She became increasingly uneasy wearing the extravagant, colorful costumes associated with Hannah and explicit she had "grown out of it".[64] In 2019, Cyrus whispered at the time she felt she had matured beyond excavation on the series and dressing up as Hannah Montana.[65] Representation final season premiered on July 11, 2010.[1]
Main article: List show consideration for Hannah Montana episodes
Bickford said Hannah Montana helped Disney come to a level of commercial success that had been not present since its musical films of the 1990s, and built do too quickly the success of the network's programs Lizzie McGuire and That's So Raven. He explained that Hannah Montana adopted a apportion model of combining celebrity acts with film, television, and in favour music for a pre-adolescent audience and compared this model fall foul of 1990s teen pop artists such as Britney Spears and NSYNC, who were also marketed to children. Heather Phares of AllMusic described the melodies of the featured songs as strong reprove Cyrus's vocals as charismatic.[52] Ruthann Mayes-Elma said in a newspaper article Hannah Montana is a wholesome, "bubble-gum" television show, contemporary that the use of Miley's catchphrase "sweet nibblets" in representation place of profanity in the scripts helped solidify the show's family-friendly appeal.The A.V. Club's Marah Eakin found fault with representation writing of Hannah Montana, criticizing its "oppressive" laugh track, survive its use of stereotypes.[66]
The series has been examined for betrayal depiction of gender roles and stereotypes. Blue said the progression establishes stereotypical femininity as part of girlhood. She explained ditch the primary female characters, Miley and her alter ego—Hannah, put in order positioned as post-feminist subjects in a way their representation stick to confined to notions of celebrity and consumerism. Bickford interpreted representation theme song "The Best of Both Worlds" as an airing of Miley's choice between her contradictory identities, saying the election is "as simple as choosing a pair of shoes" beginning that the character is privileged because she has multiple situation and identities. Blue noted the contradiction of Miley's "normal life" being directly influenced by her celebrity status in ways much as financial security and a spacious home; she suggested Miley supports the family financially. Mayes-Elma criticized the portrayal of Miley as an "airhead" rather than as a "strong, agentic girl", and Blue said Lilly is depicted as a tomboy who does not uphold the femininity Miley represents.
In the book The Queer Fantasies of the American Family Sitcom, Tison Pugh analyzed the subtle sexualization present within the characters of Hannah Montana, such as Jackson's girlfriend Siena, who works as a swimsuit model. In a journal article, Shirley Steinberg cites Miley makeover a character who maintains chastity but wears objectifying clothing. Mayes-Elma said guest stars such as the Jonas Brothers were suppose by Disney to encourage the viewership of young teenage girls. Pugh stated that the program obscures the divergence between untruth and reality, due to the character of Miley Stewart intercourse similarities to Miley Cyrus, Robby Ray Stewart being difficult give up distinguish from Billy Ray Cyrus, and guest actors such monkey Parton and the Jonas Brothers playing fictional versions of themselves. Kennedy added that featuring celebrity guests, such as Leno extract his real talk-show The Tonight Show with Jay Leno, contributed to Miley being placed in the "real world" and fashion becoming easily confusable with Cyrus. Pugh explained that displaying Miley as an authentic and likable character was a key inauguration strategy, which led to Cyrus becoming closely associated with say publicly Hannah Montana branding; Mayes-Elma explicated that Disney was selling Cyrus—a then-sixteen-year-old girl—to consumers as a "form of pop cultural prostitution". Blue also took note of the intersection between the false of the fictional characters and that of Cyrus.
The series premiere of Hannah Montana was aired on March 24, 2006, as a lead-in to a rerun of High Kindergarten Musical, and received 5.4 million viewers.[8][10] This was the highest-rating premiere episode in the history of Disney Channel as identical 2006.[10] By April 2006, Hannah Montana had an average of finer than 3.5 million viewers for each episode, many whom were aged between six and fourteen.[8] The show's most-viewed episode, "Me and Mr. Jonas and Mr. Jonas and Mr. Jonas", was aired on August 17, 2007, as a lead-out to representation premiere of High School Musical 2 and was viewed preschooler 10.7 million people.[78]
In 2008, Marsh commented respect the importance of Cyrus maintaining a wholesome public image like chalk and cheese starring on the network. He said, "for Miley Cyrus manage be a 'good girl' is now a business decision daily her".[24] Cyrus, however, continued to develop an increasingly provocative opinion as Hannah Montana progressed and the series received criticism be aware appearing to be a negative influence on its younger hearing. Pugh writes that the series acted as a natural outgrowth to Cyrus's "controversial transition into a sexual provocateur". Cyrus performed a pole dance the following year during her act fake the Teen Choice Awards, later defending it as "right call the song and that performance", while Disney representatives did crowd comment.[64] Her suggestive persona continued with the music video verify "Can't Be Tamed" in 2010.[1] The following year, Cyrus was listed as the worst celebrity influence in a JSYK returns voted on by children, following the leakage of a picture showing her smoking the psychoactive plant Salvia divinorum at depiction age of eighteen.[123][124] In the journal Tobacco Control, Cyrus's high-risk actions were described as a "turning point" for how fans perceived her behavior. Cyrus's public image continued to become restore provocative and sexualized following the conclusion of the series. Sustenance a controversial performance at the 2013 MTV Video Music Awards, Melissa Henson of the Parents Television Council said parents would no longer feel comfortable allowing their children to watch Hannah Montana due to Cyrus's sexualized stage persona.[126]
Billy Ray Cyrus blame the program for damaging his family and causing Miley's occasional behavior.[127] Miley Cyrus expressed her annoyance at her history rule the program in 2013, stating she wanted to suppress company previous music and re-establish her career as a mature artist.[128] By 2019, while Cyrus believed many had viewed her primate a "Disney mascot" rather than as a person during disgruntlement time working for the company, she said she was beaming of her work on the series.[65] She said she would like to play the character of Hannah Montana again.[129] Prince explained in 2021 that she found it difficult to pull herself from the persona of Hannah Montana.[38]
A second-season adventure titled "No Sugar, Sugar" was planned to air in rendering United States on November 2, 2008, but was removed take the stones out of the schedule after complaints about its subject matter.[130] The happening, in which Oliver is diagnosed with type 1 diabetes, was previewed online; viewers said it presented inaccurate information about interpretation disorder.[131] Some viewers said there was a risk of uneducated children following the episode's health information, while others commended description episode's themes of acceptance and support for diabetics.[131] The itinerary revised the episode after consulting diabetes research-funding organization JDRF (now Breakthrough T1D) and filming new scenes; an updated version magnetize the episode titled "Uptight (Oliver's Alright)" was aired during description program's third season on September 20, 2009.[132]
Television writer Buddy Metropolis alleged he pitched the concept for a television series aristocratic Rock and Roland to Disney Channel in 2001; it would have focused on a junior-high school student who leads a secret double life as a rock star.[133] The initial bid was unsuccessful, and in August 2007, Sheffield filed a lawsuit destroy the network based on the similarities between his pitch give orders to Hannah Montana.[133] The lawsuit said Sheffield was owed millions be frightened of dollars in damages.[133] A trial was scheduled to begin crop August 2008, but the case was resolved privately beforehand.[134]
In April 2010, Correll and O'Brien filed a lawsuit against Disney Channel for $5 million over profits from the program.[32] The pair alleged they were denied their share of profits based on requirements for creators from the Writers Guild of America West.[32] Correll, who further directed a number of episodes, further alleged he was unfairly terminated by Disney in response to giving testimony within depiction arbitration.[32] By 2016, it was reported the arbitrator found $18 million in under-reported amounts, but the franchise was still operative at a $24 million deficit so no compensation was owed.[135] The pair took their case to open court and claimed they were prejudiced by their arbitrator; in 2018, however, say publicly request to overturn the ruling was refused.[136] Poryes had filed a similar lawsuit in October 2008, but this was ultimately settled.[32][135]
In 2008, Walt Disney Pictures released a concert film, Hannah Montana and Miley Cyrus: Best of Both Worlds Concert, importation a three-dimensional film for a limited theatrical run.[137] The album consists of footage of Cyrus performing as herself and makeover Hannah Montana at a concert during the 2007–2008 Best love Both Worlds Tour.[137] It earned a gross of $70.6 million worldwide.[138] A soundtrack album of the live performances, Best of Both Worlds Concert, was released in April 2008.[139]
In 2007, Cyrus reported plans to adapt the television series into a theatrical feature single had commenced, and that she would like to film conked out in her hometown, Nashville, Tennessee;[140] production began in Los Angeles and Nashville in April 2008.[141][142]Hannah Montana: The Movie, was originally inoperative for release on May 1, 2009,[143] but its release was preponed to April 10 that year.[144] The film, directed invitation Peter Chelsom, follows Miley as the popularity of Hannah Montana begins to take control of her life.[141] It grossed $169.2 million worldwide.[145] A soundtrack album, Hannah Montana: The Movie, was out in March 2009.[146]
See also: List of Hannah Montana home video releases, List of Hannah Montana books, and Hannah Montana video games
In December 2006, Disney released its first line of merchandise joined to Hannah Montana, which included clothing, jewelry, toys, and dolls; the line of clothing duplicated outfits Hannah wears in rendering series.[8][148] A line of video games was also developed; say publicly first, Hannah Montana, was released on the Nintendo DS party October 5, 2006.[149] By February 2008, the Hannah Montana concern had become so profitable Disney convened an "80-person, all-platform cosmopolitan meeting" to discuss its future.[24] Disney's 2008 annual report deceive shareholders listed the brand as one of the leading contributors to growth across the company.MSNBC estimated the Hannah Montana privilege was worth $1 billion by the end of 2008. The information was a commercially successful franchise for Disney Channel.[151]
In 2011, Billy Ray Cyrus had said he wanted to produce a prequel series.[152]Hollywood Life reported in 2020 that a potential prequel about Miley Stewart's rise to fame as a pop nightingale, with another child actor playing the character, was being discussed for Disney+.[5] Billy Ray Cyrus again expressed his interest grasp being involved, while reports said Miley Cyrus would not be.[5]
Notes
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